Romeo, Brazilian Daniel Camargo, was equally convincing and carried us along in his resolute quest to reunite with his beloved. Her duets (pas de deux) with both Romeo and her unwanted suitor, Paris, were breathtaking, as she embodied Juliet through the tips of her elongated fingers and danced with extraordinary lyricism, musicality and grace. Only superlatives can describe the Juliet of South Korean Hee Seo, who brilliantly captured the fourteen-year-old in all her girlishness, womanliness, joy, defiance, anguish, and pain. Just as the chandeliers sparkled, so the dancers sparkled on stage. The Viennese-made chandeliers followed me into the 3,800-seat, burgundy-and-gold auditorium, and, when the ballet was about to begin and the lights dimmed, twelve of them slowly rose to join nine more in the gold, petal-shaped ceiling. In the foyer, I beheld the dazzling, starburst chandeliers suspended four stories high and illuminating the white cantilevered staircase. After all, it is one of Shakespeare’s best-known plays the choreography is by the renowned Sir Kenneth MacMillan, and the music by Sergei Prokofiev, who charmed me during my childhood with Peter and the Wolf and whose piquant dissonances juxtaposed with hummable melodies I always find fascinating.Īs I approached the Metropolitan Opera House, I gazed in awe at its soaring arches framed by the vibrant murals (“The Joy of Music” and “The Sources of Music”) by painter Marc Chagall. A young woman in a mini dress and sneakers could be heard saying she couldn’t “wait to see Romeo and Juliet.” Monday night, New Yorkers from 19 to 90 climbed the Lincoln Center stairs, moving past the rushing waters of the Plaza fountain. Other times, when the music is good and the theater beautiful, you'll get so much more.Hee Seo and Daniel Camargo in Romeo and Juliet.
If the thought of spending more than a $100 for ticket makes you cringe, you might risk getting the cheaper, partially obstructed view seats. Obstructed view seating may not be worth the savings. When you purchase a reduced price ticket, call the box office to find out if your seat has good sight lines. Theaters often sell seats with obstructed views at a reduced price. Also, when you buy box seats, ensure that you are seated in the first row. When buying tickets, select seats in or as close to the center orchestra as possible. The sight lines in Rome's Teatro dell'Opera within the lateral boxes and upper gallery may have obstructed sight lines as well.
Keep in mind, that the further back that you sit, the higher you sit as well.Īt Teatro la Fenice in Venice, the seats in the upper galleries and within each box, where individual seats are not reserved, may present obstructed views. The right and left orchestra areas tend to have good seats for seeing the action taking place on the sides of the stage, provided the seats are reasonably close.Īlso, the first few rows in the center mezzanine, lower balcony or dress circle have good views of the entire stage. Generally, the best seats in the house are going to be in the center orchestra and right in the center of the house. Still, seats too far back or higher, may leave you squinting to see the performers. But sitting close to the stage makes it more difficult to take in the entire sense of the production, such as patterns created by the corps de ballet moving as a school of fish. When you're close to the stage, of course, you can see every, facial expression and hear every word and note. This way everyone in the theater could see the wealthy and recognize their status in society.Įach section of seats offers different views of the stage and, as a result, very different experiences. In the distant past, only the richest and most well heeled people sat in the box seats. In other cases, these troublesome seats, like the boxes, were built not for seeing the action on the stage, but for people watching. Poor sight lines are typically caused by architectural elements such as the angle of the seating to the stage, or a beam or wall that are part of the building’s design and engineering. However, older, historic theaters such as La Scala in Milan often have a handful of seats that, surprisingly, don't allow you to see the stage. Seats with obstructed views are uncommon in modern, state of the art theaters such as the National Theatre in London or the Opera Bastille in Paris. The last thing you want is a theater ticket for a seat that doesn't allow you to see the stage. Articles >The Best Seat in the Opera House The Best Seat in the Opera House
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